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Reader profile: Tetsuya

June 19, 2024BruceDayne

Reader profile: Tetsuya

Wednesday, June 19^th 2024Tags:

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Tetsuya Yamashita is a reader that Lucas knows rather than me. Back in the days when he ran the Drake’s pop-up in the old Beige shop in Paris, Tetsuya was a regular visitor, and is still a friend of Beige today. In fact we used their shop as a base, as we went out to shoot around the streets of St Sulpice.

Tetsuya is different from other readers we’ve covered in a few ways. He’s our first French entry, and he’s a waiter at the intellectually famous Café de Flore in Paris. It’s a place increasingly popular with tourists, but just about hanging onto its distinctive character - as we discuss.

Tetsuya also described himself as a French sartorialist, which to me means not just a fondness for Cifonelli, Charvet and Hermès, but also a tendency towards the dandy, the extra accessory and the brighter shoe. I had great fun exploring all these topics with him. As ever I hope you enjoy it too.

Outfit 1

Jacket: Lorenzo Cifonelli for The Rake
Shirt : Bryceland’s
Pocket square: Simonnot-Godard
Trousers: Rota (made-to-order)
Socks: Bresciani, via Mes Chaussettes Rouges
Shoes: John Lobb Paris (made to order)

So, Tetsuya, tell us what you do.

I’m a waiter - a garçon de café - at Café de Flore in Paris. I came to Paris from Japan to do this profession as a métier. I’ve been there 22 years now.

I guess you must be quite senior by now then?

Yes, I'm the third longest-serving garçon today at Flore - you do develop relationships with particular customers, who then want to be served by you when they come in. I’d say it’s my favourite aspect of the job, the friendships you establish.

Has that included anyone famous over the years?

Well, my favourite was Karl Lagerfeld. Karl and I had a nice relationship - he would come in regularly and ask where I was serving that day. He liked the consistency of it.

I remember the last time he came in before he died - he clearly wasn’t well, and when he said goodbye there was something different about him. I deliberately said to him, not goodbye, but ‘see you soon Karl’.

I’ve had breakfast at Café de Flore a few times and it does still have real character, despite the tourists. Lovely little egg cups, perfect bread and salted butter.

Yes, it has hung on to that. There is what we call the Golden Triangle of establishments in St Germain: Flore, Deux Magots, Brasserie Lipp. They’re still very genuine, very characteristic of the neighbourhood. But it’s been hard - Emily in Paris was huge for American visitors, and we were flooded.

Forgive me for asking, but how does a waiter afford clothes from Cifonelli and Hermès?

Well, I don’t spend much money on anything else! But I also save up a lot, often buying just one or two big items a year. The velvet jacket from Cifonelli here is a good example, but it was ready-to-wear - they just altered a few small things.

How would you describe this style?

For me it’s a mixed style, something quite Japanese but obviously very French too. It’s not common to wear black velvet during the daytime, but I love it with white pants, in fact I love white pants in general. In the winter I wear the jacket with ecru Fox flannel pants that my friend Kenjiro Suzuki made for me.

Outfit 2

Blazer: Cifonelli (made-to-measure)
Shirt: Charvet
Tie: Drake’s
Pocket square: Hermès
Trousers: Bernard Zins
Socks: Bresciani (via Mes Chaussettes Rouges)
Shoes: John Lobb Paris (made to order)

How about this outfit? Rather French?

Yes I’d call it L'élégance Parisienne. Lots of details - the pocket square, the buttons. This blazer was Cifonelli made-to-measure and the buttons are their in-house ones, with their symbol.

The shirt is Charvet too - never anything but Charvet! Although I don’t wear Charvet for work, that’s simpler and very traditional - white shirt, bow tie, vest and apron.

Are those the shoes that L’Etiquette magazine did with John Lobb?

Yes, actually I saw these when they were first released back in the nineties, but couldn’t afford them. So when L’Etiquette brought the model back I didn’t miss the chance, and now I have a second pair - the suede ones shown above.

The style was originally called Delano, but L’Etiquette called it 'Paris'. It was only on sale on their website initially, but now it’s available made-to-order from Lobb.

Have you always been into clothes?

Ever since I was a teenager. It wasn’t unusual to be into clothes back then, but most of my friends were into American clothing - casual clothing, what we call Amecaji. I was more into tailoring and English style.

I started going into Beams, then into United Arrows were I met [designer Yasuto] Kamoshita who taught me how to dress. And we’ve been friends ever since. Now every time he comes to Paris we go out - he’s like my older brother.

Was your father a good dresser?

Not really, he didn’t care about clothes. But he was a banker and wore a suit every day, so perhaps that was an influence. Also my family was very conservative, which meant English style. I still dream about having a bespoke suit made at Anderson & Sheppard.

I also wear quite a few English brands - I’ve been wearing Smedley knitwear since I was 20 years old.

Outfit 3

Coat : Hermès
Scarf: Charvet
Knit: John Smedley
Jeans: Levi’s 501
Socks: DoreDore
Shoes: John Lobb Paris (made to order)

OK, if we had names for the previous two looks, what would you call this one?

I would say it is my version of BCBG - Bon Chic Bon Genre.

That literally means good style and good type of person, right? The taste of the French upper classes, like the idea of Old Money or the English Country House Look.

Yes exactly, it’s very classic, very French. The knit is the Dorset style from Smedley that I said I’ve been wearing for many years. In the summer I wear Isis, the same model in Sea Island cotton. I have so many colours.

The shoes are unusual - is that the Lopez loafer?

It’s the Lopez, yes, but in a colourway I specially requested. Mr Kamoshita used to wear a pair of derby shoes from Lobb called the Barros, in a bi-colour design like this. He used to say it was very ‘French Ivy’.

You can’t get the Barros these days, even by request, so I made a pair of Lopez in the same colours.

How long have you had the coat? It looks pleasingly faded.

I’ve had it for 28 years - it’s particularly useful in Paris during the mid-seasons, in spring and in autumn. In Japan those seasons are very short - it goes from hot to cold too quickly to need something like this.

Actually there’s a bit of a story behind this coat. Hermès made it with Mackintosh, in their bonded cotton, but apparently there was an issue with one pocket so they had to recall them. The shop promised to replace mine but the original wasn’t available again, so they gave me this one. I think it’s unique - I haven’t seen it anywhere.

Those old Hermès pieces are so beautiful - I’ve picked up a few myself second hand. It’s such a shame they don’t do classic styles today.

I agree, it’s a real shame.

Where do you like to shop in Paris?

There isn’t much. Beige is obviously great, and there are the makers I’ve worn here - Cifonelli, Lobb, Charvet. But there isn’t a lot beyond that - I buy more when I go back to Japan twice a year.

I like your Charvet scarf. How do you tie it?

Always very simple - either twice round my neck and then in a knot, or making it into a loop and then putting the ends through.

I’ve always thought of scarves as a very Parisian thing - is that fair?

As a Japanese person I always thought the same, and I do think it’s true. I’m always watching what other people are wearing and you certainly see a lot more scarves here than in Japan.

Nice to know one cliché holds up. Thanks for taking the time to chat to us Tetsuya, see you later at the book launch.

See you there Simon.

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In Milan, Conservatism and Youth

June 18, 2024BruceDayne

MILAN — Is fashion getting conservative, much like the general political climate? That’s certainly what it seems like: masculinity, at the Milan men’s shows that ended on Monday night, went largely back to the insouciant and proper, but oh so macho late-1950s charm à la Mr Ripley — the power of Netflix and television series in shaping fashion trends is undoubtable.

Is fashion also prompting a youthful reaction to all of the above, full of the liberating virtues of not giving a damn and doing as one pleases, much like what happens to teenagers before overthinking and giving too many damns kills it all? That’s what it seems like, too.

On the one side, there was Zegna’s magnificently abstract take on the estate Italiana feel, translated into a truly ageless, malleable linen wardrobe of easy pieces for effortless living. Close but not too close, there was also Dolce & Gabbana’s streamlined, perfectly executed ode to summer dressing for upscale Italian tourist locations, complete with straw woven into cardigan jackets — trend alert: vaguely Chanel-like jackets for men are all the rage — paired with notchless shirts, soft yet sharp tailoring and coral beading, with a side of sleek hair.

On the other side, there was Prada’s studiously messy take on youthful optimism, “the opposite of grand” as Mrs Prada conceded backstage, with trompe l’œil details inviting second guessing and closer inspection — fake belts, fake collars, printed cottons looking like heavy wools — and outfits put together almost at random, as plucked from grandma’s, grandpa’s and one’s own closets, oblivious to sizing. “Less theory, more practice,” added Mrs Prada as an explanation, followed by Raf Simons: “There is not much overthinking in this collection.” So much so, in fact, that when pressed to explain the reason for a Bernard Buffet print on a T-shirt, the response was: “Just because we like it” — a spontaneity that’s not immediately Prada, a brand where everything has a place for a brainy reason. This made for an upbeat outing that had elan, but that also leaned quite clearly towards a more Miu Miu kind of customer. It would be very interesting to see Prada explore a wider spectrum of masculinity, much like Mrs Prada and Simons do in womenswear. At the moment, the man is just the son of the woman.

Carrying on with the dichotomy between conservatism and youthful messiness, which made for welcome variety to the usually staid Milan scene, there were two imports from London. On one side, there was the deliciously anachronistic British formality of Dunhill, where Simon Holloway, in his first Milanese outing, opted for a garden party setting and a sense of elegance so expressive of old-school codes of class privilege, it looked almost radical in being so unremitting, not an ounce of irony in sight — but hey, the execution was top notch and the man knows how to cut a masterful suit and an even more masterful tailcoat, and clearly has a clientele for this. And on the other, the quest for new forms of beauty carried by Martine Rose, who was showing in Milan for the first time but whose efforts seemed to have gone primarily into the fantastic prosthetic noses and long wigs, because the clothes didn’t measure up.

The camp, soft BDSM theme over at DSquared2 felt oddly conservative, too: a reminder of a genre of gay imagery long gone stale. The liberating power of chance, or chaos, has always been on the agenda of Luca Magliano, whose verve is both rough and poetic as he keeps imagining a damaged, patched, mended wardrobe that oozes a kind thorny, deeply political yet dreamy elegance which he brings to life on a varied cast of beautiful losers. This new outing showed little progress, but was soulful and consistent. Meanwhile, Ludovico Bruno, a bright new name with his Mordecai line of spiritualised activewear, managed to balance a sartorial approach with a sense of freedom, keeping things tight and graphic.

At Setchu, chaos and method collided as Satoshi Kuwata’s trademark purism got stained, so to speak, with sensuality and even sexiness, thanks to slashes and openings that let skin peek through. And Jordanluca, a label worth keeping an eye on well beyond the piss-stained jeans that recently went viral, ballet dancers and punks met and collided in a spiky fantasy of oversized parkas, cycling shorts, angular tailoring and elongated dancer shoes that was both precious and rough.

At Moschino, Adrian Appiolaza’s first men’s outing came with the fluidity and volumes he championed when he was a designer director at Loewe, which made for a fresh take on the twisted classicism of the house. Still, one can feel Appiolaza somehow slowed down by the burden of Moschino’s codes, in particular the sartorial gags. He clearly needs more time, and probably more daring, but he can do it. A lighter approach to styling would help, too.

Softness and easy breezy tailoring are the Armani DNA. And yet, it is captivating to see how playful and welcoming Mr Armani’s approach can become at Emporio Armani, which over the past few season has been getting bold and bolder, and how elegant and pared back, but also age-inclusive, it can become at Giorgio Armani. Over at MSGM, Massimo Giorgetti produced a mixed bag of a co-ed collection that felt convincing only when he reverted back to the playful elementary spirit that was the foundation of the brand fifteen years ago when he started.

Fendi is fast approaching its 100th birthday, which the house will celebrate in 2025. For this reason, Silvia Venturini was feeling very Fendi, but not in an obvious way. The house’s menswear offering was launched in the early 1990s, so it’s only 30 years old and, this season, Venturini Fendi opted for a lightweight preppy mood that probably leaned too much on the youthful side, but was as easy and refreshing as a breeze, and very Roman for that.

Speaking of brand identity, the last day of fashion week opened, with wicked timing, with the release of a surprise Valentino collection, the first designed and styled by Alessandro Michele, hours before Sabato De Sarno’s second Gucci men’s show. Rickdick on Instagram put the matter in perspective with a meme that put “Gucci Ancora” over a Valentino image, and “Valentino di nuovo” (again, in Italian) over a Gucci image. While Alessandro Michele’s outing was solely seen in pictures, making the atelier work difficult to truly appreciate, Sabato De Sarno’s effort was a show: not particularly bursting with ideas, but honest and well executed. De Sarno is a designer: he likes to build things, and it shows. His clothes owe a lot to both Valentino and to Prada, places where he previously worked, but they are faultlessly made and deserve a chance. For sure, there is intention behind them.

The most energetic show of the week was JW Anderson: an interaction of abstract, overblown volumes, odd humour and slightly militaristic dressing that felt consistent with Jonathan Anderson’s vision, if even more abstract than usual. This was fashion that felt youthful but not juvenile, approachable but not banal, and ultimately personal and not derivative.

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10 Powerful Male Status Symbols

June 18, 2024BruceDayne

Ever see that guy who's always treated like a VIP?

You know who I'm talkin' about

The guy who:

Always gets into nice clubs – despite the line wrapped around the building…(like – seriously? How did he just cut everyone?!)

or…

the guy who's always seated at restaurants quickly – despite the hour wait…

The reason?

Status symbols.

They're powerful to the subconscious.

So – why are status symbols useful?

They save time
They avoid conflict
They signal authority

How? By doing all the communicating for you.

What are these status symbols?

How can you signal power & authority with your clothing…while not saying a word?

How can YOU be treated like a VIP by simply showing up?

This article is going to go over 10 modern status symbols – and explain how & why you should use them.

Male Status Symbol #1 – Custom Clothing

Many of us are fine with buying off-the-rack clothes. We go shopping and happen to find the “right” size of whatever we want. But there are always 2 things that may be an issue – authenticity and accurate fit.

Those are never questionable when it comes to custom clothing. By having something tailor-made, you’re guaranteed it’s of top quality and goes perfectly with your measurements. You don’t have to wonder if the item has been counterfeited. What you see is what you get.

Do you wonder why George Clooney always looks good in a suit? We know he’s a handsome guy, but he also happens to get custom suits from Mark Powell, who is said to be his favorite tailor. And history shows that powerful men like Napoleon III and Winston Churchill have bought bespoke suits from London’s Savile Row for centuries.

Those are men who understand fit, fabric and function – the core components of style. They wear the best clothes that complement their body type and highlight their individuality. It’s almost like they become the style brand – since no one can rock those exact same clothes the way they do. And that’s why the world admires them.

So if you can afford it, you should consider getting something custom-made – especially if you wear it regularly. You can also add a monogram to show how special that item is.

Male Status Symbol #2 – A Great Looking Watch

Women have their jewelry to show off – and men have their watches. So you don’t want just any watch to tell you the time. You want something classy and luxurious (like those high-end pieces that cost over $1,000).

But what if you’re not keen on spending a lot? Here’s another option. There are up-and-coming brands these days that produce luxury watches at affordable prices – and the quality is often still amazing!

When it comes to affordable watches, I love the fact that manufacturers are able to produce watches that look incredible without breaking the bank. After all, a Rolex is a great investment – but not every man needs to splash out thousands of dollars when there are more budget-friendly timepieces on the market.

Sure, with many budget options, you could end up spending $200 on a low-quality timepiece that doesn't keep the time well and looks cheap. To avoid this, the key is to research brands and find manufacturers with extensive watch-making experience.

Male Status Symbol #3 – Quality Footwear

Back in the day – shoes were power symbols of the elite. Leather was so precious that only a few could afford leather footwear (or were allowed to wear it). But now, even though we all buy shoes – that symbol still sort of exists.

Shoes are things people tend to look at and base judgments on (even subconsciously). If you’re wearing nice shoes – they make the assumption that you’re a stylish man with a good eye. You look like someone who takes good care of himself. And that gains you more respect from peers.

Take David Beckham, for example. He’s a guy who – when he’s not in his cleats playing football – likes to sport bespoke shoes from London’s G.J.Cleverley & Co. His favorite style is “The Churchill,” named after Winston Churchill – who was also a regular customer. Beckham knows how his shoes can influence public perception. So he follows the style of another respectable man.

Male Status Symbol #4 – The Technology You Use

We use our laptops, tablets and mobile phones every day. Almost everyone has them – but some guys just need the latest & greatest stuff. They only buy from a certain company. The reason – it’s more than just quality.

About 10 years ago, Apple computers were mainly used by creatives at coffee shops. It was a big deal to carry them around. But now that Apple has taken over the world, the only way you can stand out is by having the latest iDevice – since everybody else the second latest.

Whether we like it or not – our gadgets have a say in how people see us. The updated OS and features are secondary – we want new stuff for the prestige. We want to show friends and colleagues that we’re “in” – that we can change smartphones every other year. It’s consumerist, but that affects our status.

Male Status Symbol #5 – The Vehicle You Drive

man with a luxury car as a status symbol

Much like your gadgets – your ride somewhat shows the kind of man you are. In fact, it indicates more than your money in the bank – your lifestyle, your priorities and where you are in life.

I own a minivan – a practical choice for a man with 5 kids. So anyone who sees me drive by can probably tell I have a family of my own. If I were driving a Tesla – people might think I’m either famous or some big corporate hotshot.

But if you live in West Texas like I did – you wouldn’t be surprised to see all these dually pickup trucks. Not only are they useful if you need to pull a horse trailer, but they’re also “cool” in that area. So you want to get a vehicle that suits your environment.

Male Status Symbol #6 – Strong Beliefs & Convictions

The great thing about the U.S. is we can exercise freedom of speech. You’re allowed to comment on political issues and express personal beliefs – including religion. And while this may turn off the general crowd – you also resonate with people who are like you.

It’s a well-known fact that Tim Tebow and Steph Curry are devout Christians – who aren’t afraid to talk about it. Curry even has “4:13” (a biblical text about Jesus) printed on the inside of his Under Armour shoes. Some fans consider those guys “preachy” but for the most part – the way they put God at the center of everything they do (including their athletic careers) has made them more appealing.

As long as you have strong convictions – it shouldn’t matter if others think less of you. People who share the same beliefs will be more drawn to you and your courage. That makes a powerful status booster.

Male Status Symbol #7 – A Body By Design

This is about a body that’s not just buff or in good shape. A body by design goes beyond hitting the gym – it’s about mastering the body so it suits your culture or profession.

To have a body that upgrades your status – you need to understand who you are. If you love running marathons, you want to develop strong calves and trim all your belly fat.

If you’re a sumo wrestler or a bodybuilder, your goal is to bulk up and gain weight. If people see you with a body that perfectly matches your way of life – they’ll respect you even more.

Male Status Symbol #8 – Good Etiquette

Until now, etiquette is something that can make people seem more or less “civilized.”

It wasn’t too long ago when etiquette was used to separate classes of people instead of clothing. Unfortunately – there’s no universal book about it. Etiquette varies from culture to culture.

But if you want to elevate your status, you need to understand basic etiquette – especially when you’re invited to formal events. Follow the dress code, RSVP ahead of time, shake hands the right way – those are small acts of politeness that matter for an event with lots of well-respected people.

And the next time you’re invited to a fancy dinner, make sure you’ve learned the rules of fine dining etiquette. You’ll be surprised – you’ll impress many people by simply knowing when to use each spoon or how to hold each knife.

Male Status Symbol #9 – Sprezzatura

If you have the ability to perform a difficult task and make it look easy – that means you’ve got sprezzatura. It’s showing off a special skill with such grace and confidence that people are compelled to admire you. They see the fruits of your labor – never the labor itself.

Imagine you’re having lunch with your workmates at a Chinese restaurant – and you just happen to be fluent in Mandarin. Imagine all the nods and compliments you’re going to get as you translate everyone’s orders for the waitress. They witness the little “show” you put on – but they’re unaware that it took you 15 years to learn that language.

It’s a similar thing with Tom Hiddleston's celebrity impressions. This is a guy who gets people cracking up by saying 1 or 2 lines in the accents of fellow actors – which he does so naturally. The audience doesn’t think about all the years he’s spent honing his talent – they’re just blown away by what he does.

Male Status Symbol #10 – People You Surround Yourself With

This last one is perhaps the most powerful. Whoever you spend the most time with – your wife, partner, colleagues or friends – does affect the way you’re perceived.

In a way, this is a good thing. It calls for you to be more selective about the people you want part of your life. There are average joes who get a status upgrade when they’re on a date with someone “out of their league.” But the truth is it’s more than just looks. It’s also about how they influence you.

I’m not suggesting you cut ties with friends who aren’t as successful as you. I’m saying you should find people who can help you grow and reach for the stars. That’s one of the best qualities in a potential spouse.

You want to spend each day with someone who doesn’t just make you happy – but inspires you to become the best version of yourself. If you’re able to marry that person, you’ve struck gold.

Click below to watch the video on YouTube – How To Signal Power & Authority With Clothing

The post 10 Powerful Male Status Symbols appeared first on Real Men Real Style.

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5 Best-Selling Tom Ford Colognes Every Man Should Try

June 18, 2024BruceDayne

It's not hard to see why Tom Ford colognes are some of the best in the world. They offer a perfect blend of sophistication and masculinity that is hard to find elsewhere.

If you're looking for a new cologne for yourself or as a gift for someone else, look no further than these five options from Tom Ford.

Black Orchid
Tobacco Vanille
Ombre Leather
Mandarino di Amalfi
Oud Wood

#1 Black Orchid

Tom Ford's Black Orchid is a hidden gem when it comes to men's fragrances. The cologne offers a perfect blend of sophistication and masculinity that is hard to find elsewhere.

If you're looking for a new cologne for yourself or as a gift for someone else, look no further than this option from Tom Ford.

Black Orchid is the perfect scent for men who want something unique and different. It has all the best qualities of other colognes but with an added edge that makes it stand out from the rest.

Not only does Black Orchid smell great, but it also lasts long. You won't have to worry about reapplying every few hours as you might with some other colognes.

I'll be honest – this fragrance might be a bit too floral for guys who prefer traditionally ‘masculine' fragrances. Technically, Tom Ford's Black Orchid is actually a unisex fragrance so it can be worn by both men and women.

What this means is, unlike male fragrances, Tom Ford's Black Orchid won't make you smell like a old school man. If that's what you're going for then this might not be the best cologne for you.

However, if you're looking for something unique and different, Black Orchid is definitely worth checking out. It's perfect for making a statement and turning heads wherever you go.

Ultimately, Black Orchid is a great choice for any man who wants to make a statement without going too over the top. It's perfect for special occasions or date night – but I'd avoid wearing it at the office. In small spaces with lots of people, it can be quite overpowering.

Tom Ford Black Orchid EDP 3.4 fl oz

~~$225.00~~ $90.00 ($26.47 / Fl Oz)

Buy Now Customer Reviews

04/17/2024 10:15 pm GMT

Top Notes: Truffle, Gardenia, Blackcurrant, Ylang-Ylang, Jasmine, Bergamot, Orange, Leomon

Heart Notes: Orchid, Spices, Gardenia, Ylang-Ylang, Jasmine, Lotus

Base Notes: Chocolate, Patchouli, Vanille, Incense, Amber, Sandalwood, Vetiver, White Musk

#2 Tobacco Vanille

mens cold weather colognes tom ford tobacco vanille

Tobacco Vanille is one of those fragrances that you either love or hate.

Personally, I love it – it's warm, spicy and reminds me of Christmas morning.

So it's no surprise that Tobacco Vanille is strictly a cold weather fragrance. Wear this in the summer, and you just won't smell right. It's too warm, rich and spicy – plain and simple.

However, when those cold days come around, Tobacco Vanille is king. It's the perfect fragrance to curl up by the fire with. It's also great for date night or a night out on the town.

Just like Black Orchid, Tobacco Vanille is technically a unisex fragrance so it can be worn by both men and women.

However, I think this one leans more towards being a male fragrance. It just has a certain kind of mystery and masculine allure that most women's fragrances don't tend to have.

As with many Tom Ford fragrances, I'd avoid wearing this one to the office. As with Black Orchid, it can be quite overwhelming when worn in a work environment, and people won't appreciate it in the same way as they would when worn at a party or date.

TOM FORD Tobacco Vanille Eau de Parfum 50 ML(1.7 OZ)

$186.00 ($109.41 / Fl Oz)

Buy Now Customer Reviews

04/19/2024 01:45 am GMT

Top Notes: Tobacco Leaf, Spice Notes

Heart Notes: Tonka Bean, Vanilla Pod, Cocoa bean, Tobacco Blossom

Base Notes: Dry Fruits, Woody Notes

#3 Ombre Leather

Ever wanted to smell like a Hollywood cowboy?

Then Ombre Leather should be your go-to fragrance.

Leather fragrances are traditionally very masculine simply because of the associations society has with leather – tough guy, jacket wearing men who break hearts and ride motorcycles.

And while that's certainly attractive to women, Tom Ford's Ombre Leather is a different kind of leather fragrance. It's smooth, sophisticated and definitely more Hollywood than Harley Davidson.

By coupling leather notes alongside cardamom, jasmine and amber – Tom Ford has formulated a cologne that's both masculine and seductive all in one spray. In short, Ombre Leather makes you smell like a sophisticated gentleman in a leather jacket rather than an old leather coach.

This scent is perfect for date night or a night out on the town. It's also great for special occasions like weddings or anniversaries.

Tom Ford Ombre Leather 3.4 Oz

$130.00 ($38.24 / Fl Oz)

Buy Now Customer Reviews

04/19/2024 09:30 pm GMT

Top Notes: Cardamom

Heart Notes: Leather, Jasmine Sambac

Base Notes: Amber, Moss, Patchouli

#4 Mandarino di Amalfi

On the complete opposite side of the scent spectrum, we have Mandarino di Amalfi – Tom Ford's answer to fresh, summer fragrances.

Sure, the majority of Tom Ford Fragrances are woody and dark scents that are most suited to colder evenings. However, when he does release a summer fragrance, you can bet your bottom dollar that it's going to be incredible.

Madarino di Amalfi is just that: incredible.

For those that don't know – Amalfi is actually a small coastal town in Italy. A place that' warm and fresh, where the smell of the ocean fills the street and tellers peddle locally grown fruit from wooden carts.

If that doesn't tell you what Tom Ford's Mandarino Di Amalfi smells like then I don't know what will!

The fragrance opens strong with citrus and develops into a spicy floral dry down. It's the perfect cologne for a summer vacation to the beach, or a classy dinner date on a hot summer's eve.

Tom Ford Mandarino Di Amalfi Eau de Parfum, 1.7oz./50ml

$275.00 ($161.76 / Fl Oz)

Buy Now Customer Reviews

06/18/2024 01:17 pm GMT

Top Notes: Lemon, Grapefruit, Mint, Basil, Tarragon, Blackcurrant

Heart Notes: Orange Blossom, Jasmine, Clary Sage, Shiso, Coriander, Black Pepper

Base Notes: Musk, Vetiver, Civet, Labdanum, Amber

#5 Oud Wood

Everyone's heard of Tom Ford's Oud Wood – and for good reason.

It's an incredibly masculine scent that's perfect for any man that wants to exude confidence, sophistication and an air of mystery.

Oud Wood is a unisex fragrance, but I think it definitely leans more towards being a male cologne. It's the kind of scent that makes you feel like you can take on the world – and women will certainly be drawn to that.

For those not in the know, Oud is a type of wood that comes from agar trees. It's considered quite a rare fragrance note and isn't easy to come by, which is why it's typically featured in higher-end, niche fragrances.

Tom Ford's Oud Wood takes the smoky quality of Oud and combines it with a range of other scents including cardamom, sandalwood, vanilla and amber to create a truly masculine fragrance.

It's the perfect cologne for a night out on the town or a special occasion like a wedding. Just be warned: a little goes a long way with this one!

Of the many fragrances in Tom Ford's Private Blends collection, I'd say this is one of the more office friendly options. While it certainly isn't as universally pleasing as many designer colognes on the market, this niche scent won't take over a room and make people's noses hurt.

Sure, your colleagues will definitely notice you wearing it, but not to the extent that it's offending them while they work at their desks.

Tom Ford Private Blend Oud Wood Eau De Parfum Spray - 50ml/1.7oz,Black

~~$270.00~~ $160.00 ($94.12 / Fl Oz)

Buy Now Customer Reviews

05/17/2024 11:55 am GMT

Notes: Oud, Rosewood, Cardamom, Sandalwood, Vanilla, Sichuan Pepper, Vetiver, Tonka Bean, Amber

The post 5 Best-Selling Tom Ford Colognes Every Man Should Try appeared first on Real Men Real Style.

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Dior Names Rihanna As the New Face of J’Adore

June 18, 2024BruceDayne

Dior Beauty has named Rihanna as the face of “J’adore” in a bid to reinvigorate the flagship fragrance range. Her first campaign for the brand, shot by Steven Klein, will be revealed Sept. 1, the company said.”

The unusual talent, audacity, and captivating beauty of this absolute star are the ideal embodiment of dazzling, powerful Dior femininity that transcends generations,” CEO Véronique Courtois said, adding that “Christian Dior would most definitely have adored her.”

The news follows a February report by The Business of Fashion stating that the Barbadian singer and entrepreneur was set to return to the French brand; as well as Dior’s recent announcement that Charlize Theron, the star of J’adore’s iconic gold pool advertisements for over two decades, was transitioning to a new role as an ambassador for the brand’s skin care and makeup.

Rihanna was originally named Dior’s first Black ambassador in 2015, starring in a global fashion campaign shot at Versailles. Remaining a friend of the house even as she pivoted to launch her own lines for lingerie, makeup and fashion (the latter two backed by Dior’s parent company LVMH), Rihanna’s memorable Dior looks over the years have included extravagant pink capes, androgynous oversized suiting and a stomach-baring, see-through couture ensemble that showed off her pregnancy in 2022.”

Being the new face of J’adore is both an honour and a mission,” Rihanna said. “I am especially looking forward to joining this adventure and contributing to it through my world, my story, my roots, as well as my creativity and my own femininity.”

The revamp of J’adore is poised to be Dior’s biggest perfume launch since Jennifer Lawrence-fronted “Joy” in 2018. A mixture of floral, fruity and sweet aromas, J’adore was initially launched in 1999 before quickly growing into a global business that consistently ranks among the top 10 scents across regions in consultancy NPD’s annual market share rankings. Recent years’ momentum, however, has been more focused on Dior’s blockbuster mens’ scent, Sauvage.

Rihanna’s appointment comes amid a long-term push to align Dior’s fashion and beauty image after decades of the two units operating rather independently despite both being owned by LVMH.

Christian Dior Couture’s longtime communications chief Olivier Bialobos has progressively expanded his authority over the beauty arm as well. Most recently he was named to a deputy-CEO role that oversees image and communications across both units last year.

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Golden Goose Postpones Planned IPO

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5 Best-Selling Tom Ford Colognes Every Man Should Try

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#2 Tobacco Vanille

#3 Ombre Leather

#4 Mandarino di Amalfi

#5 Oud Wood

Dior Names Rihanna As the New Face of J’Adore

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