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Background

Alessandro Michele’s whimsical, bold vision as creative director of Gucci revitalised the brand, turning it into a cultural juggernaut. Now, he’s attempting to do the same at Valentino, bringing his signature blend of nostalgia, craftsmanship, and artistic risk-taking to reimagine the Roman couture house.

“This place has such a specific story,” he says. “That name, Valentino — it’s a real name, with real life, with real love. There is always Valentino somewhere with me.”

This week on The BoF Podcast, BoF founder and editor-in-chief Imran Amed sits down with Michele to discuss his evolution as a designer, his deep connection to Valentino’s heritage, and the importance of passion and obsession in achieving creative success.

Key Insights

• As creative director, Michele said that the weight of Valentino founder Valentino Garavani’s legacy continues to inspire and guide him, even in the smallest details of his work. “When I’m working by myself, with the people of the studio, with Jacopo, there is always Valentino somewhere with me. … There is always an open conversation with him because I can feel the things talking to me, through the dresses, the walls,” he said.
• Contemplating the meaning of success, Michele emphasises the importance of remaining true to himself as a designer. “It’s more moving left and right, rather than up and down. Success is when you are in the right place, when you’re free to be yourself,” he said. His approach to fashion is personal and deeply intuitive, and he protects his creativity by concentrating on his own creative fulfilment rather than trying to please everyone. “I don’t need to be someone else. I think a big designer or a good designer needs to be himself.”
• Michele approaches his work with a deep understanding that creativity comes with taking risks, both in life and in fashion. He views risk as an essential element of growth and evolution in his designs. “You are taking beautiful risks, but they are risks,” he said. “I like myself also for the things I did wrong. Now that I’m a big boy, I like the Alessandro who did so many wrong things.”
• For Michele, the magic of fashion and creating a collection lies in the uncertainty. “You put all the ingredients inside, and it’s going to be real only when the first person starts to walk on the catwalk. That’s the magic,” he said. “You feel that you were pregnant, but now the baby has a proper life and you can no longer be in control. It’s outside and it’s gonna walk by himself or herself.”

Additional Resources